Over the air Broadcasting is usually associated with radio and television, though in practice radio and television transmissions take place using both wires and radio waves. The receiving parties may include the general public or a relatively small subset; the point is that anyone with the appropriate receiving technology can receive the signal. The field of broadcasting includes a wide range of practices, from relatively private exchanges such as public radio, community radio and commercial radio, public television, and commercial television.
Blaster's initial transformation is an AM/FM Stereo Cassette Player, commonly referred to as a boombox or ghettoblaster, hence the name. Blaster was a popular character from the original series while not featuring as prominently in the modern Transformers universe.
Blaster (Tempo in France, Radiorobot in Italy, Broadcast in Japan), like the Autobot Jazz, has a great love of Earth culture, rock music and other forms of music as long as it is hard. He's normally at the forefront of any given situation. As an AM/FM stereo cassette player, he can perform as a deck, plus receive radio signals on a variety of frequencies. Acting as the Autobot communications center, he can transmit signals within a 4,000 mile radius. Blaster is sometimes depicted as carrying various tape warriors within his deck, including (Steeljaw, Ramhorn, Rewind and Eject).
Broadcast is the debut album from the English pop/rock band Cutting Crew, released in 1986. It reached #16 on the US charts and #41 on the UK charts. The album was released in Europe with different packaging 8 months before it was released in America. For the American version, 4 tracks were remixed ("Any Colour", "One for the Mockingbird", "I've Been in Love Before" and "(I Just) Died in Your Arms"), all of which were the singles from the album. The current American CD in print is the European version but with the American packaging. It was the first album to be released in the United States by Virgin Records' new American imprint, Virgin Records America.
The current location of Tampa was once inhabited by indigenous peoples of the Safety Harbor culture most notably the Tocobaga and the Pohoy, who lived along the shores of Tampa Bay. The area was explored by Spanish explorers in the 16th century, resulting in violent conflicts and the introduction of European diseases, which wiped out the original native cultures. Although Spain claimed Florida as part of New Spain, it did not found a colony in the Tampa area, and there were no permanent American or European settlements within today's city limits until after the United States acquired Florida from Spain in 1819.
In 1824, the United States Army established a frontier outpost called Fort Brooke at the mouth of the Hillsborough River, near the site of today's Tampa Convention Center. The first civilian residents were pioneers who settled near the fort for protection from the nearby Seminole population, and the small village was first incorporated as "Tampa" in 1849. The town grew slowly until the 1880s, when railroad links, the discovery of phosphate, and the arrival of the cigar industry jump-started its development, helping it to grow from a quiet village of less than 800 residents in 1880 to a bustling city of over 30,000 by the early 1900s.
Pink Floyd bootleg recordings are the collections of audio and video recordings of musical performances by the British rock band Pink Floyd, which were never officially released by the band. The recordings consist of both live performances and outtakes from studio sessions unavailable in official releases. In some cases, certain bootleg recordings may be highly prized among collectors, as at least 40 songs composed by Pink Floyd have never been officially released.
During the 1970s, bands such as Pink Floyd created a lucrative market for the mass production of unofficial recordings with large followings of fans willing to purchase them. In addition, the huge crowds that turned up to these concerts made the effective policing of the audience for the presence of recording equipment virtually impossible. Vast numbers of recordings were issued for profit by bootleg labels.
Some Pink Floyd bootlegs exist in several variations with differing sound quality and length because sometimes listeners have recorded different versions of the same performance at the same time. Pink Floyd was a group that protected its sonic performance, making recording with amateur recording devices difficult. In their career, Pink Floyd played over 1,300 concerts, of which more than 350 were released as bootlegged recordings (sometimes in various versions). Few concerts have ever been broadcast (or repeated once they were broadcast on television), especially during 'the golden age' of the group from 1966 to 1981.